Thursday, January 24, 2013

"Forbidden Fruit Jam" Apron

Albuquerque artist, Shari Adkisson, has launched her second annual Womyn's Work Apron Project in honor of International Women's Month (March). Shari made an apron to illustrate my "Forbidden Fruit Jam."
Shari Adkisson's artistic apron vision of Andi's poem, "Forbidden Fruit Jam"
The poem itself concludes by book, When East Was North. Very cool to see it off the page and into art space. Here it is, for you, dear reader, off the apron and onto the blog:

Forbidden Fruit Jam

Sunday’s sermon title
on the Baptist Church sign
sternly warns:

forbidden fruits
make many jams.

As I drive past,
my thoughts ripen
toward luscious, lickable loganberry lips,
and sweet, dark cherry syrup
finger-spread across your
            tongue.

Our table is laden with fresh figs and dates,
     lychee and kumquat.
Golden grape clusters spill over platters
     of persimmon, quince, orange, and lime.

In the steamy kitchen
you peel soft skin
from round ripe peaches
while I pare the zest of citrus rinds
until our hands
preserve the scent of pleasure.

Exotic fruit flesh bubbles
     into thick aromas.
You kiss the marmalade sweat
     from my neck and brow—

Oh, don’t stop now—

Keep stirring our wild raspberry-rhubarb passion
until the perfect full rolling boil
draws me in sticky sheets
and we can keep
the lid
on this jar
no longer.

Unintentionally evoking
the tangy spice
of our illicit mango love,
that preacher will never know
the delicious truth
of his marquee’s message.

Friday, January 18, 2013

In Praise of Scissors: A Meditation on their Utility

Scissors photo courtesy of Clip-Art
I have been thinking about scissors, lately, and how much I like them. My current favorite pair was made by ELK, Italy. It is stamped HOT DROPPED FORGED STEEL on the upper part of the larger blade just above the pin that connects the halves (I never noticed until now that the blades are not of equal shape or size). The handles are painted shiny black. The larger blade also has the larger handle—the one that fits my third and fourth fingers through a comfortable oblong opening. The other handle is rounder with a nicely beveled space for my thumb. You might think I selected this pair of scissors for just these qualities, and perhaps even paid a tidy sum for it. You’d be wrong.

These Italian scissors came to me by way of my Grandma Rose, after her death. By the time Rose died at age 100 yrs. & 9 months, she had very few possessions left. After about age 90, she had begun giving away her belongings in earnest anticipation of her death, preferring to bestow the gifts on selected recipients, rather than have someone else distribute her things after she died. But the decade saw her in good health. At her 100th birthday, she was presented with a check, from her nephews, so she’d have some more money to give away.  I was not named in her will (a long story for another time), but I did have the opportunity to sort through some of the items from her apartment that ended up with my cousins, her primary caregivers. From the amassed assortment, I selected: a dented red & gold Zvetouchny Tea tin, 2 small hand-painted china plates, a framed Bunko embroidered picture of irises (that my father had made for her), several old black & white photographs, and a small pair of very sharp scissors that fit my hand perfectly.

My first pair of scissors was probably a child-sized stainless-steel specimen, its blades with rounded edges to protect uncoordinated kid-fingers. I don’t have any memory, fond or otherwise, of this tool. I do, however, remember a number of other household scissors from my childhood years—each with its own purpose, its own place, and its own set of rules. (I suspect that my own children will recognize a similar scissorly pattern.)

First, in the kitchen was an implement that looked like a regular pair of scissors, but it had some heft and curves, and was a lighter silver color, perhaps some sort of aluminum alloy. I associate this pair of kitchen scissors with chicken fat. My mother would purchase, from the butcher, a large stewing chicken for making soup. Before the bird could be plopped into the pot, however, it had to be skinned. The chicken/kitchen scissors was up to the task. It could slice through the thick layer of puckered skin, cut the skin away from the muscular meat, and free the yellowy chunky fat from skin, meat, and bone. The bald, muscular bird was then ready for its fate. In the process, human hands and forearms, and scissor blades, all became covered in slippery chicken fat and had to be washed thoroughly in hot soapy water. The kitchen scissors never left its appointed room; it may have cut other types of fat or meat, but was not used for non-food purposes.

The second category of household scissors lived at the other end of the house, in my mother’s sewing box. These were the sewing scissors, and there were 2 kinds. The long straight-blade scissors with orange plastic handles were the generic “sewing scissors” for all non-paper projects, whether real sewing or just crafts. With these scissors we were allowed to cut thread, embroidery floss, yarn, fabric, felt, and scraps of textile materials such as ribbons or lace. With these scissors, I could create patches for my jeans, trim crewel projects, cut stray threads from clothes I was ironing, or make clothes for my dolls—but under no circumstances were these sharp blades to be dulled by contact with paper of any kind. The other pair of scissors in the sewing box was the pinking shears. These heavy-duty scissors had thick saw-toothed blades with which they created zig-zagged edges. Why does one need zig-zagged cloth edges? I have no idea! But what fun to cut material into strips trimmed with little diamond points.

For serious paper cutting, there were the desk-drawer scissors. These were heavy enough and sharp enough for cutting multiple sheets of paper at once, or thin cardboard, one piece a time. With these, we children could make our brown-paper-bag book covers, science-project posters, math or language flash cards, and the endless array of creative projects that we proudly presented to our parents. Want to make a jelly and jam serving dish? Just cut an egg carton into thirds, giving you 3 four-section dishes that you can cover with aluminum foil. Then create a center handle out of wire, and fill the 4 foil-covered cups with different kinds of jam. Want to make some birthday cards? Get some construction paper and some cardboard and start cutting! Time to wrap presents? Cut the wrapping paper straight and true, and curl the ribbon by dragging it across a scissors blade.

I do not remember which scissors we used to cut roses or gardenias to bring in from the yard, nor do I recall whether our parents had scissors for cutting hair (I, however, do have a pair of hair scissors--not to be confused with cuticle scissors, in my bathroom drawer). And I suspect that my father had various types of shears or scissors in his garage shop, each with a specific purpose and special place.

Having grown up in a multi-scissors household, I credit the later successful and timely completion of my master’s thesis and my doctoral dissertation to a good pair of scissors. Cutting and pasting is not the exclusive purview of word processing software. Throughout graduate school, I would write, type, print, and photocopy ideas onto paper—then I would cut paper into strips, lines, chunks of ideas, and quotations. I’d trim the margins and the unnecessary words with scissors blades as often as with a click and drag motion, and rearrange the chunks into coherent paragraphs.

Scissors are utilitarian. They are not weapons (unless you’re Angie Dickenson in Dial M for Murder); they have specific uses, and it’s probably a good idea not to curl ribbon or cut paperdolls with the chicken shears. For me, one definition of wealth is the possession of multiple pairs of scissors kept within reach in the desk and the nightstand, the kitchen and the garage. I am a wealthy woman. I have scissors, and I know how to use them.

(Another new post, below....Keep scrolling.)

Deer in the 'Hood


I startled a young couple just now. They were hanging out on our front steps, in the shadows of the scrub oak and juniper trees, camouflaged even against the bright snow. I was putting on my gloves, heading out for a walk, when suddenly they jumped up, bolted in opposite directions, and stood their respective ground leaving me between them in mid-stride. The buck was a young 2- or 4-point creature (depending on how you count—two prongs on each antler, making 4 points total); his doe-friend also looked like an adolescent, not quite two years old, perhaps.

I said hello and apologized for disturbing them, then made my way, slowly crunching snow underfoot while trying not to make any sudden movements. I gave the buck a minute to cross my path and reunite with his doe, then I made my way down the gravel driveway.
Deer in the back yard, Feb. 2012. Photo by Andi.
We often see deer in our yard—singly, in pairs, and sometimes whole family groupings. Recently we witnessed a challenge and fight between 2 large (8-point) bucks who faced off between the large granite boulders at the edge of our back patio. We have also seen a young buck courting a young doe, while another younger doe climbed up on one of the boulders, apparently to get a closer look at the ritual. When the light is just right, we catch the deer eyeing themselves, sometimes quite warily, sometimes nonchalantly, as they see their reflections in our sliding glass door, unaware of our presence on the other side of the pane.

The most amazing recent siting, however, was not in our yard, but a few streets away. The Scientist and I were out for a long circuit of the neighborhood to stretch our legs after too many hours spent indoors and at the computer. We turned the corner onto a narrow connector road, neither breaking our stride nor our conversation, when suddenly the Scientist grabbed my arm and said in a loud whisper, “Look!” We both stopped in the middle of the road. There to the left, among the cactus, tall grass, scrub oak, and juniper was a doe…no, two…no, three. Wait, there’s another doe, and another…. When our eyes finally adjusted to the scene, we counted ten doe—all of them standing quite still, some with their rumps to us, some facing us, none moving with the exception of some slow chewing. We continued walking, in silence and awe, catching a glimpse of number eleven, a buck, a little higher up the incline. What a harem he has!

Saturday, January 12, 2013

Queen of the Car Club

Viejitos Car Club boasts cars like this one.
Today I attended the grave site service for a former colleague and a beautiful person, Sylvia. She and I were the same vintage -- she was just 7 months older than I. Today, hundreds of people--many of them members of various Albuquerque car clubs, like the Viejitos--mourned her passing, attending the rosary/mass, or the cemetery service, or both. And they celebrated her life with shiny cars, pans of red and green chile enchiladas, plates piled high with tortillas and tamales, and music, conversation, and hugs. I knew only a few of the other guests--we had worked together for a short time at ATI where Sylvia's reputation for genuine warmth and caring was universally acknowledged among staff, faculty, and students, alike. I am honored to have known her.

After I left the reception, I attended a local New Mexico State Poetry Society chapter meeting at which we were given a prompt to write in a style called Rhyme Royal. Because Sylvia was very much still on my mind, my "rhyme" wrote itself in her honor:

Queen of the Car Club
The cars drove up the hill in single file.
In each at least one mourner, maybe two--
all were dressed in black, a few in style
adorned with pink for Syliva, her hue.
The vintage Chevys and Buicks paid homage due
to her for whom they all had prayed with tears
as cancer took her smiles, her life, her years.
 [I'll likely write more stanzas about the day, but wanted to share this before the rose fades.]


Wednesday, January 9, 2013

Poetry Matters


The Han Shan Poetry Project:  McLellan Park Forest East


In December 2012, poets from Oregon, California, Colorado, Florida, New Mexico, Australia, the UK, Canada, and Turkey responded to a call from Langley, BC poet Susan McCaslin to submit poems celebrating trees in an effort to protect a unique forest just outside the heritage community of Fort Langley, British Columbia. I happened to have seen an email from McCaslin forwarded via a Santa Fe Poets distribution list, and responded by sending in my only "tree" poem, "Cottonwoods for Cornelia."*

That poem, along with all the others McCaslin received are now suspended (with string--no nails) from the forest trees in the hope that the voices of poets will be considered when Langley council decides the fate of the forest. The installation was inspired by Han Shan, a Chinese hermit poet from the Tang Dynasty era over 1,000 years ago, who wrote poems on trees and rocks, living respectfully with nature.

McCaslin says, "These poems express how poets respond to the creative outpouring of nature that encompasses and sustains us. It's about putting human language beside the larger language of nature and the planet. They have been offered specifially for the protection of this remarkable, biologically diverse forest."

The forest she refers to is known locally as McLellan Forest East, a publicly owned area slated to be sold off to partially fund a community center if a group of residents cannot come up with the $3M needed to buy the land. Click here to view "Together We Stand" YouTube video by area art students about the project...you'll see the forest and the poems, as well as statements made to the council. Great poem at end.

Update
NEW on March 1, 2013: http://commonground.ca/2013/03/art-activism/
As of January 9, 2013, McCaslin reports: "The Han Shan Poetry Initiative has been a huge success, garnering covering in local...and national newspapers...and [television] news....
I have received over 250 poems which are now suspended from the trees.  Folks come from far and wide to stroll through the forest and read them.  Because of the need to move on to other phases of the campaign, I had to draw a halt to my call for poems, as I couldn’t keep up with the flow.

"The overwhelming response to this project from poets proves to me once and for all that poetry matters and that the arts and activism can be seamlessly conjoined. It is a beautiful thing to witness and be part of."

If you want to learn more about McCaslin, the Han Shan project, and the fate of the forest, please go to her web site: http://www.susanmccaslin.ca

Photos of tree installation courtesy of Erin Perry, Erin Perry @ erinperry@telus.net

*"Cottonwoods for Cornelia" is one of the poems in my book When East Was North. See link on blog home page.

Saturday, January 5, 2013

Eleventh Day


January 5, 2013

The Scientist and I just finished un-decorating the house.

About a week before Christmas, I had dragged in the purple and blue plastic tub marked “Christmas Decorations – Do Not Crush” and carefully unpacked its contents. Over the years, my collection of holiday decorations grew from a few inherited handmade items to enough ornaments and lights for a large tree, and an array of home décor both classy and kitchy to adorn every room (even a set of Christmas night lights for the bathrooms). Each year something new would get added to the mix – Piglet holding a candy cane, a tatted white star, construction paper chains and cranberry-popcorn strings, origami Santas, hand-painted wood and clay shapes, table wreaths, cranberry-scented candles, a stained-glass poinsettia, crocheted red, white, and green stockings—and the single Christmas box become two boxes, then three or four. But after the children were grown and I was on my own, I stopped accumulating Christmas paraphernalia, and began to give it away.

A few years ago, when preparing to sell my house and move back to Albuquerque, I discovered Freecycle (a Yahoo group). I purged my home of all things unnecessary, and found great delight in giving away just the thing someone else needed & wanted. At some point, I think I had already given my kids their childhood ornaments (like the one from 1984 that said “Baby’s First Christmas”), so the holiday items that remained had long since lost the shine of sentimentality. I put aside just a few things I wanted to save, like a string of small white twinkly lights, some handmade origami and wood ornaments, a few old Santa figurines, and a roughly made crèche scene. Those went into the labeled plastic bin; the rest went into a huge box. I advertised on Freecycle, and within minutes I had an email from a woman who said that her daughter and son-in-law had recently lost most of their belongings in a flooded storage unit while preparing for a move (or some such story—I don’t recall exactly) and she would love to help them start over with a box of Christmas goodies. I put the box on the porch and watched from the kitchen window as she picked it up – all smiles and waves and a mouthed “Thank You.”

This year, about a week after Hanukkah ended, I put on a CD of Christmas Concertos, unpacked the box, found places for the ornaments, bows, tins, and Santas, strung the lights, and searched my recipe box for the annual favorites, like Cranberry-Pecan Pie. I baked, cooked, listened to music, and corresponded with friends. And, perhaps because of the dark time for the families in Newtown, CT, I lit many candles.

Now the house is back to normal – no sign of the holidays (except the pot 1/4-full of posole in the refrigerator). But a certain warmth remains, and I smile as I think of the way our December traditions bring us light and joy and peace. May we carry those with us into the new year. Happy 2013.