Friday, January 13, 2023

For the Love of Argument

Photo: Andi with Unknown Cat, 1963*
 
My friend Marjorie St. Clair, a vital member of my writing support circle, recently asked about my use of argument and algorithm in the context of writing poetry and memoir. Hallmarks of the memoir-writing method taught by Marion Roach Smith, both algorithm and argument have long informed my thinking, teaching, and writing.  
 
Like many of you, I learned the art of argument early in my childhood living with smart, opinionated, and vocal parents and siblings. "But Mom..." was a common opener. What followed, however, if not compelling risked a "Don't argue with me" comeback. My children, also, were and still are, admirable arguers. "But Mom, quitting the team is my protest statement against the coach's unfair treatment of some players..." they might assert, instead of saying "I quit. The coach is an asshole."
 
When I taught English to reluctant first-year students, they questioned everything (as did I) and dared me to convince them that essays were more than instruments of torture. They had already been taught the essay as a mandatory 500-word 5-paragraph piece of prose subjected to arbitrary judgment on a scale of 1-5. My job was to argue otherwise, to show the how of essay, not just the what.  (One of my poetry gurus, Marj Hahne, teaches the how of poems. The fact of the barn is less interesting than how it's a barn.) I had to show them how dreaded thesis statement argues more powerfully than a statement of fact or strong opinion. Even a poem, meme, or slogan like Make Love Not War (and the choice to quote it here) argues something. A tailored suit argues, "I already know how to dress the part, so you should hire me (and, oh by the way, my resume tells you how I'm the best one for the job)." Pajamas argue something else (so does the choice of flannel vs. silk).
 
You may argue that good writing is good writing with or without a suit (or pajamas, for that matter), and you may be right. But as I write and edit my poems, essays, and memoir while mindful of my audience (you & others) and purpose (publication), I find argument a useful concept for assessing what I want to say about the universal and how to support it with the personal. 
 
In rhetorical terms (we can thank the ancient Greeks for that fancy word for the art of persuasion), if one asserts a position, posits a premise, or stakes a claim, one must illustrate the point with more than an amusing cat video. [I refuse to link to any of those.]
 
With that in mind, I invented this argument: "My grief when Sunshine died made me see that in living their nine lives, cats can save our lives." I'm not sure I believe it, but we did have a cat name Sunshine who died at age 19 after having lived all nine of her allotted lives.] And if I did believe in the saving power of cats, I would offer details about Sunshine's nine lives, my one miserable life, and how she saved it. My three dogs and my son's chickens and ducks would be left out in the cold, unless of course they were killing me and that's why I got a cat. [*see photo]

Similarly, if I claim innocence in front of a judge, I'd better have some pretty convincing, allowable evidence summarized in catchy opening and closing arguments. [I'm guessing you can imagine your own trial, even if your judge was your math teacher who accused you of being a dolt, gave you an F, and illustrated his point by banging his forehead against the wall.] You would not, however, stand up in the courtroom and shout, "That's just fuckin' not true!"--at least I hope you wouldn't.
 
Speaking of math teachers, I loved high school Algebra and even made it as far as to finish a year of college calculus before I decided I would never be my favorite, beautiful, red-headed, she-who-knows-everything high school math teacher. So I changed my major. I still think in math concepts and appreciate the formulaic nature of argument. Unless you're a philosopher, you probably can't persuade anyone that X is, period. You could claim X is true and mean it. But the argument won't stand up in court until you show how and why X is true and why that matters, something like this: X is true because experiments W, Y, and Z provide data to prove it. 
 
The result just might be a convincing argument:
1. [Introduction] You've heard of X and wondered if it's true. I'm here to tell you X is true and worthy of investment because experiments W, Y, and Z provide ample proof while raising the possibility of a mysterious X2.
2. Method W (how we applied it and what happened).
3. Same for Method Y.
4. And Z, which pointed to the existence of X2.
5. [Conclusion] Therefore, X is true, so give us $1M for further study of X2 and you won't be disappointed. 
 
I recently asked my partner, The Scientist, what in my memoir-in-progress might best argue the universal point I want to make about life. He said something very wise:
People are not interested in the kitchen sink! 
I liked that slogan so much I tacked it to my bulletin board next to my writing desk. And yes, I still write words on paper and but them on display.
 
My memoir argues that my beliefs and my heart landed me in various places (physically and spiritually) because of hard decisions that led me to create the life I want. Interesting as the kitchen sink story may be, in my memoir you won't read I once made sub sandwiches at The Little Pickle and worked for a summer as a Smile-A-While Day Camp counselor. Nor will the photo of me with the random cat grace the book's cover.
 
If you find typos in my kitchen sink, you can either ignore them or you can tell me and I'll fix them. And if you like what you read on this blog, please comment below or send me an email

All the best to you, to Ukraine, and flood victims in Pakistan and California. Peace be with us all.
 
Sincerely, 
Andi                        last updated 1/19/2023

3 comments:

  1. Please tell your fabulous scientist partner that I would note one exception to the "Nobody cares about the kitchen sink." That would be if the kitchen sink were created by and given voice by Tom Robbins. I would read anything his kitchen sink said or did.

    Also--one of the things I found helpful in showing/teaching/'splainin' to students the nature of a well-constructed 5P essay was to provide them with models of well-constructed writing. (In keeping with "Ya wanna learn to serve a volleyball? Let's watch lots of folks show us how it's done." While you, Andi, pursued an excursion to the deep dark corners of the math jungle, I did my grad work in PE. I have found PE/athletic analogies endlessly useful when teaching English. I am well aware of folks who think providing examples is exactly what is NOT wanted, exactly what puts out every flicker of creativity, exactly what discourages students. I disagree vehemently. Wanna have students write up a film review???? (NOT a summary!) Find a collection of well-written movie reviews. Have students read at least 100 of them. At least. Notice that no reviewer ever starts a review with, "This movie was cool because . . . ." This exercise (and yes, it is an exercise, an endeavor) ought to put a stop to the rookie mistake of "this ______ was interesting/boring because . . . ." A rough draft may start that way, but the polished draft should be qualitatively different.

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    1. Thank you, Vicki. I once connected with a bewildered group of neophyte non-writers that knowing how to use those weight machines in the college gym was as intimidating to me as writing was to them--it's all about what you know (and you can't know if you don't first learn).

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  2. my comment, corrected: ...non-writers by explaining that....

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